Warning: Spoiler Follows
I’m always looking for examples of feats of writing magic. Here’s one: Jacquelyn Mitchard’s “The Deep End of the Ocean.”
In order to tell you what it accomplishes, I’m afraid I have to spoil it.
The book is about the kidnapping of a 3-year-old. He resurfaces years later. What struck me about this book is that Mitchard makes both sides — the family who, naturally, wants the son back, and the people who’ve been harboring him all this time — seem sympathetic.
Any writer who can make a kidnapper sympathetic enough that the reader is torn as to who should have the child is a good writer indeed.
Check it out.


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